How to Layer a Crazy Mix of Stencils on a Wall

In February 2018, I went on a three-week painting binge … in India!

Yes. I painted stencils all over three walls, canvasses, carved wood, backplates for sconces. It was the best three weeks ever. Despite having a bad cold, and terrible hacking-coughing 10 feet up on a ladder. But hey, I stenciled to the tippy-top of those 10 foot walls!

Crazy Mix of Stencils on a Wall

India Apartment Guest Room

This was one wall I painted. Imagine this as the background of … SOME DAY … a four-poster daybed of carved wood with fantastical India motifs. Painted light gray. Draped with sheer sarees cascading down the posts. And slathered with kantha quilts and pillows in bright pinks, oranges and blues with just a touch of that mustard color.

Some day this will be a fully-complete guest room. For now, it’s my husband’s office when he’s in Chennai, India. And this wall probably isn’t what he was expecting! But he still has a more professional plain white wall for his GoToMeeting and Skype calls from the desk in the corner.

How to Layer Stencils On a Wall

So … here’s a step by step of how to “build” a stenciled wall like this. I will warn, there’s some measuring to do. A yardstick or measuring tape does the math for you.

First, decide which stencils you want to put where. Which stencils do you want on the bottom, in the middle, on the top? Here was my mock-up. I had an idea in mind, and wanted to see if I still liked it on the wall:

Stencil Layout and Measurements of Backgrounds

Which stencils do you choose? Here was my rule of thumb – I tried to go for contrast in different ways:

  • The stencil at the bottom is “denser” and will be filled with a lot more paint than the “lighter” trellis pattern on the top. So I balanced a denser/heavier pattern with a lighter pattern.
  • The paisley and trellis patterns have curvy lines, so I chose a blockier geographic type stencil for the border in the middle.

So those are some ways you can get contrast. You can also pair big stencil patterns with small patterns. Mix florals with straight-edge geometrics.

Now, decide if you want different color backgrounds behind your stencils. You don’t have to do backgrounds. Different backgrounds add extra dimension, but they also add extra time and difficulty. If you want, you could just paint the stencils, with the wall the same color behind all stencils. But if you want different background colors, measuring is important.

As you see above, I started taping the wall to mark where background colors would be painted. I measured the bottom section first, then I measured for the border in the middle. I drew pencil lines on the wall. You can see these lines just barely in the photo above near the middle border area. You will have to keep moving the blue lines from one side of the pencil lines to the other, and tape over areas you just painted, so be careful. Paint should have enough time to dry so you don’t pull it off with the tape.

How to Choose Colors

Look at other things in the room. This is in India, and eventually this guest bedroom will have a bed covered with bright colors, and walls with bright art:

Guest Bedroom Colors

Guest Bedroom Colors

I decided to play up the pink, and bring the grays and silvers to the top of the wall to give the eye a rest from the color crazy that will eventually fill much of the room. And for contrast to the feminine pinks and curves, I chose the mustardy-turmeric-curry color for the border.

Here’s a view of the rug in the room which also has these colors:

India Guest Bedroom Rug

Here’s the wall taped off and ready for painting the background colors:

Taped for Background Color Painting

Painting Background Colors

I can’t just run to the store for paint in India like I can at home by Chicago. Well, I CAN – there is an Asian Paints within walking distance of our apartment. Asian Paints is like the Benjamin Moore or Sherwin Williams of India. But, I already had many sample sizes of Asian Paints. Some of them were older. Pro painters would probably groan at what I did. I wanted a light warm pink background on the bottom but I didn’t have pink. So I chose the creamier/ivory Asian Paints latex colors and dumped them all in a container. Then I added drops of Emperor’s Silk Chalk Paint by Annie Sloan until the pink was where I wanted it:

Mixing a Pink Paint

Mixing a Pink Paint

Starting with warm creamy ivories and adding red made a warm dusty pink. I was channeling the Pink City of Jaipur.

I had limited supplies, so I mixed this in a Frog Tape container!

Frog Tape

Asian Paints paint sticks to everything, plus I don’t know where the water drains from our India apartment or the effects of paint going down our drains. So I didn’t clean the container, I just threw it out. There’s a few guys who live near the community garbage bins who make money from pulling garbage and recycling it. They watch for us. They LOVE our garbage!

I wanted an uneven, plaster-y look on the wall. So I spread light amounts of paint on a trowel – honestly, a cheap and BROKEN plastic trowel, the only thing I had available in India – and troweled the latex paint on the wall.

Troweling Latex Paint

The broken trowel got annoying. I had to be careful to not make sharp scratches with it. But, it worked okay. I eventually had to break off the broken part.

Broken Plastic Trowel

I moved the trowel every which way like drunken hashmarks, for an uneven application. It went very fast. I let some splotches of the original white paint show through. Because the trowel applied a light layer, the paint dried fast.

Soon, I was choosing colors for the next step, stenciling:

Which Metallic to Paint

Hmmm, which to choose?

Though it’s hard to tell from the pictures because it looks pink, I chose the orange in the middle. I forget which paint it was now. It’s a metallic that has orange & pink. The stencil is the Rani Paisley Stencil from Royal Design Studio in furniture stencil size. You can also get it bigger in wall stencil size.

Painting Paisley Stencil on Wall

You can see I finished one entire section – background + stencil – before moving up to the next section.

Painting a Border

Unfortunately I did not photograph every step of the border section. It got dark out. This room is lit with two lousy lightbulbs. I could barely see with my eyes wide open.

There was some fancy moving of the tape several times. Remember you have to move the tape or you will have an unpainted area behind the tape! I had to remove some tape and put it over the pink area, then paint the border background. The background is the mustardy-curry color. Then I used a metallic copper color to paint stencils over the curry color. Here’s a close-up:

Stencil Border Detail

Honestly I think I was doing all this at 2 a.m. Because jetlag. And, you can see I did crazy stuff with a skinny border line for extra credit or something, even though there’s no teacher to impress, it’s just myself.

I don’t even know how to explain how to measure to get the curry color background behind the big geometric shapes, and the pink background behind those skinny lines. That really needed to be a video to show you. Just … measure twice, then measure again, and measure again. Test a small area first before painting the whole thing. Test in an area that’s usually behind a door, curtain or cabinet, somewhere not seen so well. You can always paint over it and start over if you measured wrong.

Or sometimes a better idea is to not drive yourself crazy with all this measuring in the first place. Why didn’t I think of that.

At some point it was light out again. And it must have been hot, because the ceiling fan is running.

Now it’s time to paint the top. And climb up the ladder and try not to get hit by the ceiling fan!

Stenciling in India

You can see here, the pink on the bottom relates to the pink in the floor tile, and the dark copper in the border relates to the copper in the ceiling fan. Also on the other end of the room, there are dark copper wall sconces and some curry/tamarind color on the wall. So these colors get repeated around the room.

Mixing More Colors

Now, I wanted a silvery gray background on the top. I stared at the wall for awhile and wondered if I should go bold, really BOLD, and paint bright color on the top too. But honestly, all this color is pushing it for me personally. And it’s feeling more feminine than what I’m comfortable with. So I decided to tame things down just a little bit by painting tones of silvery gray on the top.

I pulled white latex paints with cool undertones from Asian Paints from my stash of sample paints. Then, mixed Aged Nickel Stencil Creme from Royal Design Studio into the Asian Paint whites. The Aged Nickel has shimmer and sheen so it added a metallic glimmer to the latex paint.

Mixing Silvery Gray Paint

I was also hoping I wasn’t compromising the Asian Paints with this mixing, but as I write this, the paint has been on the wall for a year, my husband has visited the apartment recently, and the walls are fine. The colors I added are a very small % of the paint.

Mixing Silvery Gray Paint

Like I did with the pink background, I troweled the silvery gray paint on with the broken plastic trowel. It’s a light layer:

Troweling on Silvery Gray Paint

Then, I stenciled the trellis stencil with straight up Aged Nickel Stencil Creme for a tone on tone look. The stencil is the Raj Indian Trellis Stencil from Royal Design Studio.

Raj Trellis Stencil

Things are getting shadowy again, so another day has gone by.

On the Third Day, She Styles!

Finally finished! We don’t have furniture for this room yet, so I pulled in sofa cushions from the living room and styled them up like a Moroccan floor seating situation. Just pretend there’s chai tea or mint tea.

Styled Up

Even a tassel I found in Marrakech has the colors of this room:

Indian-Moroccan Style

Guest Room in India Apartment

As the sun sets again, the colors deepen and get mysterious. Time to relax and enjoy!

Colors of the Guest Room

See another stenciled wall in this same apartment in India – it’s a “headboard” behind the master bedroom bed. It’s a very different look! Visit the post that shows how I painted this with stencils and metallic paints:

Painted Headboard Wall Finished





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Oyamel Paint Finish – A Story of Finding Meaningful Inspiration for Your Creativity

Before and After Oyamel Paint Finish

I thought this would be a step-by-step tutorial. But then I counted all the cans and bottles I used – 20!!!. And all the paint layering steps, the salt, powerwash, baby wipes, polyacrylic base coat seal, gilding wax accents, wax top coat … whew!! I had a lot of fun playing with it all. But you know what, I don’t think anybody would follow a 20-page tutorial with 25 supplies!

There’s a lot of subtlety here, details that don’t show up on camera. That’s the depth you get when you use lots of layers and techniques. You are rewarded when you look very close.

Shimmery

It’s nice, but I don’t know if you’d do a tutorial to get subtle details that you can’t even see in photos.

Instead, remember when the Talking Heads asked, “How did I get here?”  Where did a paint finish called “oyamel” come from? How did it get here?

FINDING CREATIVE INSPIRATION

The Talking Heads song Once In A Lifetime is about being on autopilot and half awake most days, getting through everything we have to do. The days go by. Day by day by day. What happens when we stop and take a second to look around? To notice things? We might get answers. We might get inspiration!

Creatives now often go to Pinterest for inspiration. My Pinterest is ALL ABOUT inspiration. It’s like I’ve hoarded every picture I like for years. I have boards about inspiring places to travel to. Doors. Colors. Patterns. Walls. The hard thing on Pinterest is choosing which photo.

But I also like to look around my own home for inspiration. When inspiration comes from something in your life, it has extra meaning.

Look around you right now.

Is there something in the room that makes you happy? Is there something that has a story? Something that makes you imagine colors? If you walk around your home, what’s the first thing you see that makes you want to reach out and touch it?

Is there something sentimental given to you by family? A friend?

What about a travel memory? Where do you go on vacation? When you’re there, what are the colors, textures, and feelings you notice?

What are your hobbies and interests? What’s your favorite piece of jewelry? What’s your favorite spice? Imagine where the spice comes from. What’s it like there?

Do you like flowers? Plants? If so, what’s your favorite flower?

Can you find inspiration in what’s around you right now? These are things close to you, things you live with. Use them to weave a personal story into what you create.

Oyamel Paint Finish

MY INSPIRATION FOR “OYAMEL”

What is oyamel? It’s a special tree. It’s a fir tree that grows in the mountains of Mexico, and it’s where monarch butterflies spend their winters. Monarch butterflies will leave areas of the U.S. and Canada where it freezes in the winter, and they’ll fly thousands of miles to Mexico to overwinter where it’s warmer. These monarchs were born up north — they’ve never been to Mexico before. But somehow, they know how to get there! They spend winter flying and huddling together in mass bunches in oyamel fir forests.

So my inspiration for the “oyamel paint finish” is the olive green, orange, and golden yellow colors of the monarchs in these trees. With some brown bark color. And the blue sky they fly through to get there.

Oyamel Inspiration Photos

Photo Sources: Vermont Woods StudiosNational Geographic, FlavioLandin on TripAdvisor

I name everything after places, being the “nomadic” decorator and all. So that’s why I name this oyamel. I hope to see these oyamel forests someday soon – they’re within a days’ drive from Mexico City and San Miguel de Allende.

So, how did I get to that idea? Read on to see how inspiration can come from anything in your life …

THE MONARCH BUTTERFLY JOURNEY

Monarchs must overcome many struggles to survive. As caterpillars, they can only eat milkweed. But milkweed is being killed on a mass level by Roundup and the spread of farmland using Roundup and insecticides. Plus, predators and diseases kill 90-99% of monarch eggs and caterpillars before they can become butterflies! Only 1-10% make it! Thankfully once they become butterflies, they can drink nectar from many types of flowers. But they must survive an epic flight for such a little creature. Once they finally get to Mexico after flying thousands of miles, the butterflies are finding smaller fir forests – the trees are being cut down though there are a few reserves somewhat protected by the Mexican government. These pretty little guys battle a lot. Their numbers are plummeting toward endangerment.

Here’s a video that explains that the monarchs might have the most complex migration of any animal or insect in the world, and what’s happening to the Mexican forests they migrate to:

Why did I learn all this stuff? Well, I planted milkweed in my garden a few years ago. One day I saw a big fat caterpillar munching away. Yay! The next day, he was gone. He wasn’t big enough to become a chrysalis (cocoon) yet. That’s when I learned, a bird probably saw him as a big fat juicy dinner. 

So early this year, I looked for tiny baby caterpillars so small you can barely see them, and I found eggs. I rescued so many that I raised 160 monarch butterflies this summer in our house. Seeing them grow and become butterflies and take their first flight was so amazing! I’m smitten. Here’s one getting ready to take off from our bathroom window. When I found this one, it was just a little white dot of an egg, not much bigger than the period at the end of this sentence.

Monarch Butterfly

So, I created this oyamel finish to honor these little guys and their long journeys to survive. This finish also captures the lively colors of Mexico, which I’ve been seeing a lot as I’ve been researching a trip to San Miguel de Allende, an artsy town in central Mexico.

OYAMEL FINISH DETAILS

While I’m not doing a 20-page step-by-step tutorial with lessons learned and details, below is a basic run-down of major things I did to get the look. I used mostly chalk and clay paints (Annie Sloan, DIY Paint, Frenchic) because you can blend and manipulate them easily. I also used acrylic matte “chalky finish” paints for the base coats where I did not blend.

Oyamel Shelf Steps


Put a layer of light beige on the bottom half, where I knew I’d put lighter colors. The wood is dark and the light paint helps the lighter colors be truer.


Added base colors of paprika orange on the top; curry yellow on the bottom. I LOVE this curry yellow! It’s the color of tamarind staining your fingers after you eat a South Indian masala dosa!


Sealed base coats with flat polyacrylic top coat. So the base coats would stay in place while I “powerwashed” and manipulated top layers of paint.


Added dark blue on top half over the paprika orange base coat, and added olive green on the bottom half over the curry yellow base coat.


Distressed the blue and olive with baby wipes to reveal paprika orange, curry yellow and beige layers, and bare wood in a few spots.


Did asymmetrical distressing so orange and yellow areas look like random wear like maybe from a flood or something pouring onto the painted surface. Tried to hit areas where natural wear n’ tear would happen.


Powerwashed some blue off with water for texture.


Threw salt in areas while blue paint was wet. Got cool dark speckles but not super impressed. Like I said, lots of subtle details.


Added metallic shimmers with pear green color metallic, teal blue metallic, orange metallic.


Toned down everything with a light sandy beige layer of paint; wiped off most of this paint. Left enough for a dusty look.


Applied rich gold metallic gilding wax to the four bars.


Sealed with clear wax.


Noticed the clear wax diminished some metallic shimmers. Reapplied them all.


So that’s the Cliff’s Notes version. A lot of the magic happens when you reveal the layers underneath, when colors get “caught” on texture, when shimmery iridescence shows up when light hits it just right. I like the contrast of elegant iridescence mixed with a rustic cowboy outpost town kind of feel.

If you look closely at a monarch butterfly’s wings, they are iridescent! They have a color that shimmies and changes in the light. So that’s why this oyamel paint finish has metallic accents. And plus, it’s pretty!

Shimmery

The shelf now lives in my studio and holds … well, not much. Because I want to see the shelf! 

Painted Shelf in Studio

The colors all together remind me of flashes of the iridescent golden orange butterflies clinging to the rough bark of a tree, surrounded by green leaves and blue sky. Soaking up the winter sunshine in Mexico. Even when it’s winter here in Chicago, I can look at this and think of warmer days, and maybe even a flight for myself to San Miguel and a drive to see the butterfly forest.

Meanwhile, I’m dreaming up ideas to paint something in this oyamel finish for sale, and a percentage of profits could go toward a monarch habitat conservation organization. What do you think?

Shelf in My Studio





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DIY Painted Wall Headboard

If you want a unique, one-of-a-kind and affordable headboard, how about painting a headboard on the wall? If you like to change decor often, you can easily paint over it to make a new look. You can customize it to the color and design you want. That’s what I did to make a unique headboard in our apartment in India.

The first time I shared the inspiration photo for this project was way back in October 2010:

Inspiration Photo

That was only 3 days after I launched this blog! In February 2018, I spent three weeks in India, working in the apartment. I finally painted this:

Painted Headboard Wall Finished

I’m happy to see this idea come true!

Why did it take so long to get things done? Two reasons:  1) There was a lot of trial and error with architects and contractors from half a planet away, and we got so frustrated that we stopped working on the apartment for a while, and 2) My husband and I both worked full-time so there was limited time to go to India.

How to make a painted headboard wall

As you’ll see below, I used stencils for my headboard wall. But you don’t have to use stencils. You can paint whatever you want. I mostly hope to inspire you to see a different way to do things than the usual way, which is to buy a wood headboard or upholstered headboard. You don’t even have to paint all the way up to the ceiling. You can paint a square, rectangle, arched or rounded shape on the wall in the area where you usually see headboards.

The original inspiration photo was published in an Australian décor magazine, Vogue Living. It is a mother-of-pearl door from India. To make the diamond shapes like you see in the door, I used stencils from Royal Design Studio — the large Star Diamonds Wall Stencil and the smaller Star Diamonds Furniture Stencil:

Star Diamond Stencils

Mother-of-pearl has a metallic quality to it, so I painted with shimmery paints. I used Royal Design Studio Stencil Cremes in Bronze Age, Smoked Oyster and Aged Nickel. And I made a custom copper.

Stencil Creme

There’s a copper color Stencil Creme (Copper Kettle) but I didn’t have enough. So I mixed these colors together to make a yummy rich glowing copper:

Custom Copper Color

First, I painted a base coat with a taupe color, Asian Paints Silk Route, back in 2015!

Asian Paints Silk Route

I thought this base coat would make it easier to build rich color than stenciling directly on a white wall.

Now, 3 years later, I dabbed and swirled one of the shimmery Stencil Cremes over the Silk Route paint. I think this was Aged Nickel? Or it could have been Bronze Age. I’m sorry I didn’t keep notes.

Metallic Base Coat

Here you can see the mottled metallic look made by the shimmery paint:

Shimmery Base Coat

It’s a little blotchy but that gets covered up a lot by the stenciled pattern.

So many of these photos will be bad, I admit it! I painted most of this at night with bad lighting. The lighting was even worse than usual because one of the wall sconces stopped working.

Here you see I painted the big diamonds along the edges first. Then I filled in the middle with the small diamonds:

In Progress

This is 10 feet tall! It’s hard to tell by the photos how tall it is. It took many hours to fill in the whole pattern. I had two of these small diamond stencils, so I could work in two areas at the same time while paint dried.

Almost done!! After painting all night until about 4 a.m.

Almost Done

I remember being really sick and coughing so hard it hurt while painting this. Why keep painting? There was limited time before I had to go home to Chicago. And I’d already waited more than 7 years to paint this! So I didn’t care how sick I was. I decided not to climb to the top of the ladder and finish that top row at 4 a.m. when I was so tired and sick. I left it for the next day.

Once this was done, it seemed like it needed something more. It just didn’t “feel finished.” So I painted some more. I added dark borders and scrolly stencil patterns on the edges:

Adding Borders

The scrolly pattern is a custom stencil cut with my Cricut Explore, with a vector illustration purchased from Shutterstock.

Ahhhh! This feels better! It feels done!

Finished Painted Wall Headboard

Are there enough diamond shapes here?!

Also, I “pounced” or dabbed bronze and silver colors over the patterns with a brush to make an antique and “slightly dirty” look:

Close Up of Pattern

The day after, I was so tired from painting till 4 a.m., I crashed with the phone next to me, probably in the middle of Instagramming. When I opened my eyes, I saw this. The rich, multi-patterned look I worked so hard to make:

Scene in Master Bedroom Pattern Layers

It’s a little thing, but this view made it all worth it!

This boho chic patchwork pillow is another DIY project shared here on the blog:

DIY Stenciled Patterned Pillow

Here are shots of the room:

Tassel

Block Print Bedding and Curtain

Master Bedroom Simple Furnishings

Chinese Chest Nightstand

Simple Master Bedroom

It’s furnished simply. We spend only a few weeks a year here so we don’t need much stuff. And everything gets very dusty in India, even indoors, so the less stuff we have, the less stuff we have to clean.

Some walls still need more art. But the “headboard wall” is complete. Finally.

DIY Painted Headboard Wall

For a very different look, visit a post where I show how to use different stencils like the wall shown below. This wall is also in our apartment in India, in the guest bedroom. It’s a softer more feminine look:

Crazy Mix of Stencils on a Wall









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One Room Challenge Week 5: How to Paint an “Old Wall” Look

Wow, the One Room Challenge has really been a journey! Originally I wanted to makeover our basement into a light, bright, creative studio for blog DIYs, a creative business, who knows the future when you have a big inspiring room to play in, right? But in Week 3, the basement flooded. In Week 4, it flooded again. The basement is beyond any makeover now. Only a total tear-out can help it. So in Week 4 I moved the ORC party to a guest room two stories higher — there’s no flooding 12 feet above the ground and far from plumbing pipes!

So after switching rooms halfway through this challenge, I am sooooooo thankful we have an extra seventh week now. This has been a lesson in handling unexpected events, and thinking fast and flexibly.

I’m not spending much money on this makeover because 1.) I was not planning to  re-do the guest room, and 2.) I already own much of what I need, and whenever our basement is renovated, I want to move the studio down there per the original plans. What’s a great way to get big visual change on a lower budget? Paint!

Paint Paint Paint

As shared last week, the guest room had dark terra cotta color walls, painted with a mottled effect to look old. I left one wall in the original terra cotta color, and painted the other walls with a similar texture to look old. I followed the steps that I shared in a previous tutorial — How to paint new walls to look old — with one big difference. Instead of using a sea sponge, this time I used a Woolie, shown here:

(Hmmmm. Sorry it’s so dark — I will re-shoot this with better light.)

The closet nook walls shown in my previous tutorial have a “small splotchy” look that I still want to fix. I think it’s hard to avoid that when using a sea sponge, even though I shared tips in that post to avoid small splotches. They still happened to my wall. The Woolie has a broad base and you can twist and turn it, pounce it, swipe it, do all sorts of big wide moves with it to make “splotchy swaths” — like big splotches instead of little ones. Here’s part of a wall I did this week. It has bigger swooping swaths of varying colors:

How to Paint an Old Wall Look

One recommendation in my “old wall” painting tutorial that I followed again, and it worked well again, was the advice for choosing paint colors. I recommend using two to three similar colors. Three is much better. You will get more depth on the wall. Then choose an accent color, usually a natural color like a beige or gray.

For the room I show you today, I did the opposite with wall color vs. accent color choices. Because the wall color is beige, my accent color is terra cotta.

Paint Colors for Natural Old Wall Look

Here are the three colors that I used to make the old wall look shown above:

Paint Colors for Natural Old Wall Look

Then the accent color, where small areas of the color peeks through the three above colors. The walls were previously painted mostly with Benjamin Moore Audubon Russett (HC-51) and Georgian Brick (HC-50). I left small subtle patches of this terra cotta color peeking through the beige and white layers.

Accent Color

The ceiling is a light gray. When the walls were terra cotta, the gray wasn’t so obvious. But now that the walls are turning beige, this is emphasizing the gray in the ceiling.

Gray Ceiling

I’m not loving that. I don’t feel like repainting the ceiling. But after finishing the walls, I think I really need to paint the ceiling. There are so many other colors in the room — a teal nook in the closet, a terra cotta accent wall. Gray on the ceiling adds yet another color. I will likely paint over the gray with Benjamin Moore Maritime White, so I’m pulling a color from the wall up onto the ceiling. Also, the white color will be lighter and help bounce light around more, which I like.

How Much Paint to Get

Now, I just suggested buying numerous paint colors. But that doesn’t mean that this is going to cost a lot. As you’ll see below, you are not applying full even coats of paint. So you will use less paint. I used a surprisingly little amount of paint, far less than I expected.

As a benchmark, here is what I used for “two and a half” walls in a room that’s about 10 x 10 feet, with walls that are 8 feet high. I say “two and a half” walls because I left one wall alone with its previous color, and there is a closet and door on another wall, plus two smaller windows. So I painted about 200 square feet. I used:

  • A sample pint can of Simply White and about 3″ of a gallon can of Simply White
  • A quart of Bungalow Beige
  • A pint sample of Maritime White

Yeah, that’s it! I even bought a quart of Maritime White, thinking for sure I’d run out of a pint. I didn’t. As you’ll see below, you are applying light layers and leaving lots of holes showing the layers below, so you will use a lot less paint. Also, rollers suck up a lot of paint. I would have used a lot less Simply White if I had sponged that on the wall instead of rolled it.

Painting an Old Wall Look

Here’s how it went down. Or, how the paint went on!

The first layer, Benjamin Moore Simply White, was painted terribly! On purpose. I loaded a roller and haphazardly rolled the paint in different directions on the walls. It looked awful, really awful!

First Layer

First Layer

But don’t worry. This is how it’s supposed to look. The purpose of this layer of paint was to cover most of the terra cotta color, and to not leave a perfect finish. Old walls are imperfect, right?

After painting for years, I trust the process and know it will turn out okay. Though this week wasn’t without its worrisome moments. As you’ll see in a minute.

The second layer, Sherwin Williams Bungalow Beige, was applied to the walls with the Woolie. I pounced the Woolie on the wall, swished it, swooped it,  twisted it, turned it. Anything to make a random effect. You don’t want to see any repetitive patterns. I was aiming for a natural weathering look on the walls. So to achieve this, you want to make wider swaths with the Woolie. Leave areas of the colors below peeking through.

Here’s how it looked after this second layer:

Second Layer

Second Layer of Paint to Make an Old Wall Look

I was painting this Bungalow Beige layer late at night. The next morning I took a look at the room. My heart sank. It felt so … blaahhhhhhhhhhhh. Like it was a FEELING. A feeling of sadness. Hopelessness. Loneliness. This is how the room FELT! It FELT like a single lonely piece of plain beige paper, all wadded up and discarded in the middle of a room with beige floors, beige walls, beige ceiling. Just so much beige-ness.

Oh my. What did I do?

I had a moment of uncertainty. But just a moment. This is to be expected!! I just erased a rich deep color and replaced it with, yeah, blahhhhh.

One solution is to TRUST. Trust the process, and keep going. To avoid this blah-ness, a third layer of paint is necessary. The third layer adds more dimension.

When I put swatches on the wall a few weeks ago, some colors looked flat, but the Benjamin Moore Maritime White was really singing in this particular room and in its light, during both day and night. Like I was really loving it. So I saved it for the last paint layer, the most obvious paint layer.

The third layer, Benjamin Moore Maritime White, was also applied with the Woolie, just like the second layer. I paid attention to how much of the first and second layers I wanted to peek through. And also, I was careful about how much of the original terra cotta to leave peeking through.

I felt MUCH better after adding the Maritime White onto the walls! Instead of wondering if I’d made a big boring mistake, the walls are coming more alive, and sophisticated, with the addition of this third layer.

Mottled Old Wall Look with Paint

The accent color, Benjamin Moore Audubon Russett, in the end wound up being far more subtle than the original plan. I originally left larger “rivers” and random spots of the terra cotta color:

River of Terra Cotta Paint

Making an Old Wall Look

But, the next day, as I looked around the room, my eye kept getting caught on those terra cotta blotches. And I realized, I don’t think that’s what I want to be looking at. It’s too much. Plus, I was envisioning the final result, all the other things that will be coming into the room — the textiles, the patterns, the textures. This gives you an idea of the things that will be in the room:

Texture Color Pattern Textiles

The big terra cotta rivers and blotches on the wall will compete too much with these things. The other factor is, this room is smaller, about 10 x 10 feet. If it was a huge room, maybe the walls could have handled more “stuff” happening on them. In this room, I decided it was “trying too hard.”

So I painted over much of the terra cotta. I left subtle areas that you can see in person. But they don’t photograph well, so it’s hard to see online. I should note, what you see in the next photo is not the final wall — this is after the second layer of paint. The third layer evened the splotches out on this wall a lot more:

Painted Over Terra Cotta Accents

After getting through these steps, I am starting to feel excited about the walls and how they’ll “play” with the other things coming into the room!

Speaking of the Other Things …

I started painting other pieces too. I’ll share more in future weeks. For now, here’s a peek at a little Moroccan table that will be a step stool to get up into the Moroccan-Indian closet nook:

Moroccan Stenciled Step Stool

And I started painting trays that will be stenciled to look like baskets from Africa, like the one shown here with the trays:

Trays

I started painting over a bowl that no longer fits my style. It will be painted with varying colors of Chalk Paint, then dry-brushed with metallic copper to catch on the raised edges of the flower pattern:

Repainting a Tray

There is still a LOT to do … I’ll stop now and get back to work!

But first, visit the other bloggers who are doing the One Room Challenge. There are 20 featured designers and about 200 guest participants who are making over rooms. As the end gets closer, I’m seeing color concepts come together, accessories meeting furniture, walls and floors transformed, and innovative DIYs. Go see what they’re doing!









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